“The animalism of the brute nature in man is disgusting,” he thought, “but as long as it
remains in its naked form we observe it from the height of our spiritual life and despise it;
and—whether one has fallen or resisted—one remains what one was before. But when that
same animalism hides under a cloak of poetry and æsthetic feeling and demands our
worship—then we are swallowed up by it completely and worship animalism, no longer
distinguishing good from evil. Then it is awful!”
―
Leo Tolstoy
“She was utterly unlike what she had been when he first saw her. Both morally and
physically she had changed for the worse. [...] He looked at her as a man looks at a faded
flower he has gathered, with difficulty recognizing in it the beauty for which he picked and
ruined it.”
―
Leo Tolstoy
“In historical events great men-so called-are but the labels that serve to give a mane to an
event, and like labels, they have the last possible connection with the event itself. Every action
of theirs, that seems to them an act of their own free will, is in an historical sense not free at
all, but in bondage to the whole course of previous history, and predestined from all eternity.”
―
Leo Tolstoy
“One must do one of two tings: either admit that the existing order of society is just, and
then stick up for one's rights in it;or acknowledge that you are enjoying unjust privileges, as i
do, and then enjoy them and be satisfied.”
―
Leo Tolstoy
“There are two sides to the life of every man, his individual life which is the more free the
more abstract it's interests, and his elemental swarm-life in which he inevitably obeys laws laid
down for him”
―
Leo Tolstoy
“It was necessary that millions of men in whose hands lay the real power -- the soldiers who
fired, or transported provisions and guns -- should consent to carry out the will of these weak
individuals...”
―
Leo Tolstoy
“There was within him a deep unexpressed conviction that all would be well, but that one
must not trust to this and still less speak about it, but must only attend to one's own work. And
he did his work, giving his whole strength to the task.”
―
Leo Tolstoy
“Indeed, ask every man separately whether he thinks it laudable and worthy of a man of this
age to hold a position from which he receives a salary disproportionate to his work; to take
from the people--often in poverty--taxes to be spent on constructing cannon, torpedoes, and
other instruments of butchery, so as to make war on people with whom we wish to be atpeace, and who feel the same wish in regard to us; or to receive a salary for devoting one's
whole life to constructing these instruments of butchery, or to preparing oneself and others for
the work of murder.”
―
Leo Tolstoy
“He saw either death or the approach of it everywhere. But his undertaking now occupied
him all the more. He had to live his life to the end, until death came. Darkness covered
everything for him; but precisely because of this darkness he felt that his undertaking was the
only guiding thread in this darkness, and he seized it and held on to it with all his remaining
strength.”
―
Leo Tolstoy
“If you could forget and forgive what happened. He snatched the chalk with nervous, trembling fingers, and breaking it, wrote the initial letters
of the following phrase, "I have nothing to forget and to forgive; I have never ceased to love
you.”"
―
Leo Tolstoy
“Without knowing what I am and why I am here, life's impossible; and that I can't know, and
so I can't live," Levin said to himself.”
―
Leo Tolstoy
“I'd rather end up wishing I hadn’t than end up wishing I had.”
―
Leo Tolstoy
“In the morning he would sit down to work, finish his allotted task, then take the little lamp
from the hook, put it on the table, get his book from the shelf, open it, and sit down to read.
And the more he read, the more he understood, and the brighter and happier it grew in his
heart.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
